Topic: Writers often reveal the values of a culture or a society by using characters who are hurt by that culture or society’s customs, systems, or laws. Choose 2 short stories we have read thus far

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Writers often reveal the values of a culture or a society by using characters who are hurt by that culture or society’s customs, systems, or laws. Choose 2 short stories we have read thus far into the semester in which such characters play a significant role and compare how those characters’ alienation reveals the surrounding societies’ assumptions or values. Compare the way the two stories employ the elements of fiction to develop their themes. Use at least two of the following literary elements: Characterization, Conflict, Point of View, Setting,For shadowing, Imager y, Epiphany, Scapegoat, Symbol, Metaphor , Simile, and Ir ony.

2 short stories:

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1- Everyday use by Alice Walker

2- Women Hollering creek by Sandra Cisneros

Further Instruction :

– focus on proving your argument with specific references to the stories you are writing about

– The paper must be a minimum of three complete pages, typed and double-spaced, to a maximum of six complete pages. Use a 10- or 12-point, professional- looking font. Using a larger font will result in a paper that does not meet the length requirements for this assignment. Use 1-inch margins on all sides of the paper. Include your name and the class’s identifying information in the top corner of the first page. Center the title of your paper. Attach a Works Cited that conforms to MLA guidelines to the end of you paper (the Works Cited does not count as one of the three pages of your paper).

– 1. Thesis statement: The paper should have a specific, focused, and effectively-worded thesis statement.poor thesis statement: Jones’s and Smith’s use of the tree as a symbol in their poems is both similar and different. (unfocused and non-specific).

effective thesis: While Jones and Smith both use the tree as a symbol of knowledge, Jones presents the tree as knowledge that improves mankind, and Smith presents the tree as knowledge that leads mankind into evil.

Organization: An essay is comprised of an introductory paragraph with a thesis statement,

body paragraphs, and a conclusion paragraph. Ideas which support the thesis should be divided into logical paragraphs and presented in a logical order. You will find it helpful to begin with an outline of your essay.

Content: I will be looking for ideas and insights which show college-level thinking. Also, I will be looking for the use of lines from the stories which support the opinions you assert about the works. Use you own ideas: a good essay is not a patchwork quilt of critics’ words. Instead of piecing together the words of the critics, use critics to back up your own opinions, or argue against the critics’ opinions. When you borrow the words of critics or any secondary sources, give them credit by citing their words or ideas within the text of your paper. For this assignment, two secondary sources are sufficient.

example of direct quote: One critic states that the tree in Smith’s poem “recalls the Tree of Knowledge from the biblical story of the Garden of Evil: it both opens up new possibilities and brings other possibilities to an irrevocable end” (Allen 52).example of paraphrase: One critic feels that the tree in Smith’s poem is similar to the Tree of Knowledge that appears in the bible because it offers greater knowledge, but it also puts an end to an easier, more childlike life (Allen 52).

4. Grammar and Mechanics: Be sure to proofread and edit your paper. The effective paper will not contain significant grammatical errors, spelling errors, or typos. Follow MLA guidelines for formatting your title page, the text of your paper, and the Works Cited.

Topic: Writers often reveal the values of a culture or a society by using characters who are hurt by that culture or society’s customs, systems, or laws. Choose 2 short stories we have read thus far
Sample Student Literary Analysis: Ironies of Life in Kate Chopin’s “The Story of an Hour” (Notice how the first sentence gives the author, title of the short story and a short comment about some element of the story. Notice that the thesis is the last sentence in the first paragraph. The underlined sentences in each paragraph are the topic sentences, or main points which support the thesis and connect back to it. Notice also how the quotations are integrated smoothly into the student writer’s writing.) Ironies of Life in Kate Chopin’s “The Story of an Hour” Kate Chopin’s “The Story of an Hour” is, according to literary critic Susan Cahill, “one of feminism’s sacred texts” (154). The story–which takes only a few minutes to read–has an ironic ending: Mrs. Mallard dies just when she is beginning to live. On first reading, the ending seems almost too ironic for belief. On rereading the story, however, one sees that the ending is believable partly because it is consistent with the other ironies in the story. [Thesis] After we know how the story turns out, if we reread it, we find irony at the very start. [Topic Sentence] Because Mrs. Mallard’s friends and her sister assume, mistakenly, that she is deeply in love with her husband, Brently Mallard, they take great care to tell her gently of his death. Her sister, the narrator tells us, reveals the news “in broken sentences; veiled hints that revealed in half concealing” (56). They mean well, and in fact they do well, bringing her an hour of life, an hour of joyous freedom, but it is ironic that they think their news is sad. True, Mrs. Mallard at first expresses grief when she hears the news, but soon she finds joy. So Richards’s “sad message” (56), though sad in Richards’s eyes, is in fact a happy message. Among the small but significant ironic details is the statement near the end of the story that when Mallard enters the house, Richards tries to conceal him from Mrs. Mallard, but is “too late” (13). Almost at the start of the story, in the second paragraph, Richards “hastened” (56) to bring his sad news. But if Richards had arrived “too late” at the start, Brently Mallard would have arrived at home first, and Mrs. Mallard’s life would not have ended an hour later but would simply have gone on as it had been. Yet another irony at the end of the story is the diagnosis of the doctors. They say she died of “heart disease–of joy that kills” (58). In one sense, they are right: Mrs. Mallard has for the last hour experienced a great joy. But, of course, the doctors totally misunderstand the joy that kills her. It is not joy at seeing her husband alive, but her realization that the great joy she experienced during the last hour is over. All of these ironic details add richness to the story, but the central irony resides not in the well-intentioned but ironic actions of Richards, or in the unconsciously ironic words of the doctors, but in Mrs. Mallard’s own life. [Topic sentence] She “sometimes” (57) loved her husband, but in a way she has been dead, a body subjected to her husband’s will. Now his apparent death brings her new life. Appropriately this new life comes to her at the season of the year when “the tops of trees […] were all aquiver with the new spring life” (56). But ironically, her new life will last only an hour. She is “Free, free, free” (57), but only until her husband walks through the doorway. She looks forward to “summer days” (57), but she will not see even the end of this spring day. If her years of marriage were ironic, bringing her a sort of living death instead of joy, her new life is ironic too, not only because it grows out of her moment of grief for her supposedly dead husband, but also because her vision of “a long procession of years” (57) is cut short within an hour on a spring day. Perhaps Chopin made this choice because, as critic Emily Toth argues, Chopin “had to have her heroine die. A story in which an unhappy wife is suddenly widowed, becomes rich, and lives happily ever after […] would have been much too radical” for readers in the 1890s (45). Chopin’s employment of irony highlights how restrained both Mrs. Mallard and the author herself were by the patriarchal conventions of the time.

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